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2017 studio album by Harry Styles

.mw-parser-output .infobox-subboxpadding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent.mw-parser-output .infobox-3cols-childmargin:auto.mw-parser-output .infobox .navbarfont-size:100%body.skin-minerva .mw-parser-output .infobox-header,body.skin-minerva .mw-parser-output .infobox-subheader,body.skin-minerva .mw-parser-output .infobox-above,body.skin-minerva .mw-parser-output .infobox-title,body.skin-minerva .mw-parser-output .infobox-image,body.skin-minerva .mw-parser-output .infobox-full-data,body.skin-minerva .mw-parser-output .infobox-belowtext-align:centerHarry StylesStudio album by Harry StylesReleased12 May 2017 (2017-05-12)Recorded2016Studio
Gee Jam (Port Antonio, Jamaica)
The Village (Los Angeles)
Enormous (Venice, California)
Harpoon’s Barn (Los Angeles)
Erskine House (London)
Genre
Soft rock
Britpop
pop
rock
Length40:18Label
Columbia
Erskine
Producer
Jeff Bhasker
Kid Harpoon
Tyler Johnson
Alex Salibian
Harry Styles chronology

Harry Styles(2017)

Fine Line(2019)
Singles from Harry Styles
“Sign of the Times”Released: 7 April 2017
“Two Ghosts”Released: 7 August 2017
“Kiwi”Released: 31 October 2017

Harry Styles is the debut studio album by English singer and songwriter Harry Styles. The album was released on 12 May 2017, through Columbia Records and Erskine.[1][2] For the album, Styles worked with producers Jeff Bhasker, Alex Salibian, Tyler Johnson and Kid Harpoon.
Lyrically, Harry Styles’ themes is dominated by focus on women and relationships. The record has been described by various publications as influenced by music from the 1960s and 1970s, including classic rock and singer-songwriter ballads. It was preceded by the release of its lead single, “Sign of the Times”, while “Two Ghosts” and “Kiwi” served as the second and third worldwide singles, respectively. In support of the album, Styles embarked on his first headlining concert tour, Harry Styles: Live on Tour.
The album received generally positive reviews from music critics and debuted atop the charts in several countries, including Australia, Canada, the UK and the US. It has been certified platinum in the UK, the US, Australia, Canada, Italy, Brazil, Denmark, Poland, and Mexico. According to the International Federation of the Phonographic Industry (IFPI), Harry Styles was the ninth global best-selling album of 2017 with sales of one million copies.

Background
In August 2015, One Direction announced that an extended hiatus would take place following the release of their fifth studio album.[3] In January 2016, Us Weekly published a report claiming that the group’s hiatus would, in fact, become a permanent split, noting that each of the four remaining group members did not renew their contracts following the completion of the On the Road Again Tour in October 2015.[4] Representatives for the group denied the report in a statement to Billboard, stating, “nothing has changed regarding hiatus plans for the group, and all will be revealed in due time from the band members’ own mouths.”[5][6]
In February 2016, it was confirmed that Styles had left the group’s management,[7] becoming the second member of the band to do so after Zayn Malik’s departure almost a year prior.[8] In June, it was confirmed that Styles had signed a recording contract with Columbia Records.[9]
Styles enlisted American producer Jeff Bhasker to executive produce the album. Most of the album is written by the two with Bhasker associates producers Tyler Johnson and Alex Salibian, engineer/bassist Ryan Nasci, and guitarist Mitch Rowland; Rowland was introduced by Nasci when a session musician dropped out.[10]
Additionally, One Direction producer John Ryan helped write “Two Ghosts” with Julian Bunetta and English singer-songwriter Kid Harpoon produced “Carolina” and “Sweet Creature”. Johnson and Kid Harpoon would go on to produce much of Styles’ second album Fine Line together.
Recording sessions for the album took place in a number of locations, including in Los Angeles, London, and the Gee Jam Hotel Recording Studio in Port Antonio, Jamaica, where Styles and his production team had a two-month writing retreat in the autumn of 2016.[11] The album was primarily recorded at The Village in Los Angeles.

Promotion
.mw-parser-output .hatnotefont-style:italic.mw-parser-output div.hatnotepadding-left:1.6em;margin-bottom:0.5em.mw-parser-output .hatnote ifont-style:normal.mw-parser-output .hatnote+link+.hatnotemargin-top:-0.5emSee also: Harry Styles: Live on Tour
On 31 March 2017, Styles announced the album’s lead single to be “Sign of the Times”, which was released on 7 April.[12] The album name, artwork, and track list were revealed on 13 April.[1] The album track “Sweet Creature” was released as a promotional single on 2 May.[13][a] Styles performed the songs “Sign of the Times” and “Ever Since New York” on 15 April episode of Saturday Night Live.[21] On 21 April, Styles appeared on The Graham Norton Show for his first televised solo performance in his native country,[22] and guested on the French talk show, Quotidien, five days later; he performed “Sign of the Times” on both shows.[23]
On 9 May, Styles performed the tracks “Carolina”, “Sign of the Times”, “Ever Since New York”, and a cover of One Direction’s “Stockholm Syndrome” on The Today Show.[24] On 13 May, a day after the album’s release, he held a surprise concert at The Garage in London.[25][26] Styles held a similar show at the Troubadour in Los Angeles on 19 May, and invited Fleetwood Mac’s Stevie Nicks to perform as a special guest. Proceeds from both shows were donated to charity.[27] On 15 May, Harry Styles: Behind the Album was released exclusively on Apple Music, a 49-minute documentary film showing footage from his writing and recording sessions in Jamaica and Los Angeles; The Performances version features a full-length live performance of the album filmed at London’s Abbey Road Studios.[28] Styles was the musical guest on The Late Late Show with James Corden every night in the week spanning from 15 to 18 May, and performed in various sketches alongside Corden.[29][30] In support of the album, Styles embarked on his first solo tour, Harry Styles: Live on Tour, which ran from September 2017 through to July 2018 and visited North America, Europe, Asia, Oceania, and South America.[31] On tour, Styles debuted two unreleased songs, “Oh Anna” and “Medicine”, which were originally written for the album.[32]

Music and themes
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“A lot of my influences, and the stuff that I love, is older… I didn’t want to put out my first album and be like, ‘He’s tried to re-create the Sixties, Seventies, Eighties, Nineties.’ Loads of amazing music was written then, but I’m not saying I wish I lived back then. I wanted to do something that sounds like me.”

—Styles in Rolling Stone[33]

Music publications have described the album as soft rock,[34] rock,[35] Britpop,[36] and pop.[37] Critics noted influences by British classic rock[38] and singer-songwriter folk.[39] Variety’s Eve Barlow described the album as a “cocktail of psychedelia, Britpop, and balladry”,[40] while for Jon Caramanica of The New York Times it “is steeped in the singer-songwriter music of the late 1960s and 1970s, and in moments, in the flamboyant harder rock of the late 1970s and 1980s.”[41] Lyrically, the album’s themes mostly focus on women and relationships.[33][42] In a Rolling Stone interview with Cameron Crowe, Styles said “The one subject that hits the hardest is love, whether it’s platonic, romantic, loving it, gaining it, losing it…it always hits you hardest.”[33]
The album opens with a soft music number,[41] “Meet Me in the Hallway”, a psychedelic pop ballad performed with twanging guitars.[33][42] “Sign of the Times” is pop rock, soft rock, “apocalyptic” ballad which musically encapsulates Styles’ aspirations.[40][43] The vaguely Caribbean groover track “Carolina” recalls Blur’s Britpop style;[43][44] described by Styles as “the little bit of fun we had been wanting but didn’t have” while making the album.[45] “Two Ghosts” is a country influenced soft rock ballad about former lovers.[34] Lullaby-like folk acoustic ballad “Sweet Creature” discusses the strength of a bond that endures despite bad times.[42][46][47] The uptempo song “Only Angel” veers towards glam rock.[34][47] In rock song “Kiwi” he sings about a classic femme fatale.[48] A slower track, the rock troubadour “Ever Since New York”, features lyrics about meditation on loss and longing.[33][40] “Woman” has elements of funk rock, in which Styles compares his jealousy to a howling beast.[43][49] The acoustic closer track, “From The Dining Table”, features lush, multi-part harmonies, and recalls the confessional style of the album’s opener.[40]

Critical reception
Professional ratingsAggregate scoresSourceRatingAnyDecentMusic?6.5/10[51]Metacritic68/100[50]Review scoresSourceRatingAllMusic[47]The Daily Telegraph[52]Entertainment WeeklyB[46]Evening Standard[53]The Guardian[54]The Independent[55]Los Angeles Times[42]NME[35]Pitchfork6.8/10[56]Rolling Stone[57]
At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album has an average score of 68 based on 24 reviews, indicating “generally favorable reviews”.[50] AllMusic critic Tim Sendra opined that the album works “exceedingly well” as a modern pop record and an extension of the sound and brand of One Direction, but “as the kind of personal statement Styles wants to make, it comes very close, but ultimately falls just short.”[47] For Jason Lipshutz of Billboard, Styles “has opted to forego radio play and make a big, brash guitar album”, arguing, “his commitment to conjuring the spirit of ’70s rock never comes across as overreaching.”[58] Rolling Stone’s Rob Sheffield states that Styles “claims his turf as a true rock & roll prince” on his “superb solo debut”.[57] Mikael Wood of Los Angeles Times wrote Styles “never overplays his hand on this winningly relaxed collection”, but found the “dad-baiting” album to be “full of echoes of The Beatles, Pink Floyd and The Rolling Stones.”[42] MusicOMH’s John Murphy commented that even though it occasionally “dips into bland pastiche”, the album is a “fine solo effort”, which “as the latest step in rebranding Styles for a brand new audience, it will do just fine”.[59] Annie Zaleski of The A.V. Club felt Styles took a “bold step forward by leaning on the past”, adding, “hopefully the songs will someday catch up to his ambition”.[44] Rick Pearson of Evening Standard called it “a self-consciously serious and grown-up effort”.[53]
Alexis Petridis of The Guardian stated that while “Styles is remarkably good as a confessional singer-songwriter […] not all the album’s musical homages work”.[54] Jon Caramanica of The New York Times felt the “sometimes great, sometimes foggy” album is “almost bold in its resistance to contemporary pop music aesthetics.”[41] David Sakllah of Consequence of Sound wrote “the missteps don’t detract too much from this ambitious, if slightly unfocused, debut”, as “he’s certainly on the right track”.[60] Mesfin Fekadu of Associated Press noted the performance aspect of the album is where Styles “truly shines”, but “not so much” in the creative process.[61] Anjali Raguraman of The Straits Times called “Sign of the Times” the “strongest” track on the album and felt Styles sounds “most self-assured on the slower numbers”, while noting that “his inexperience shows when he falls into tired tropes”.[34] Regarding the use of tropes, Roisin O’Connor of The Independent was disappointed that Styles did not “break away from some of the more fatigued gender archetypes that dominate the rock music he clearly loves.”[55] Shahzaib Hussain of Clash contended that Styles “[created] an immersive, reference-fuelled tribute to classic rock for the millennial generation”, albeit “[offering] little in the way of innovation”. However, Hussain singles out “Only Angel” and “Kiwi” for being “misfires”, calling the tracks “a one-two punch of masochistic, rock swaggering, admirable in its legerdemain, [that] ultimately comes undone by haphazard lyricism.”[62] In a negative review, Dave Hanratty of Drowned in Sound felt that Styles “failed to make a defining statement”, writing that the album “from start to finish […] is a series of impressions” of Elton John, Beck, Mick Jagger, and The Beatles.[63]
Neil McCormick of The Daily Telegraph wrote that, compared to the other One Direction member’s solo careers, Styles’ is “more eccentric but more appealing, with an endearing quality of relish in its musical adventures”, calling the album “so old-fashioned it may actually come across as something new to its target audience” and “perfectly lovely and about as substantial as ripples on the surface of a Beverly Hills swimming pool”.[64] Leah Greenblaat of Entertainment Weekly named Styles “a man proudly looking backward, a faithful revivalist steeped in the tao of dusty vinyl and dad rock” while noting that he “basks in the privilege of paying tribute to his many musical heroes, and trying on all the styles that fit”.[65] Leonie Cooper of NME described the album as “a not-that-bad-actually mish-mash of Los Angeles’ style classic rock and ballads”, commenting that fans will be “over the moon with this collection of radio-friendly rockers and heartstring tugging balladry” and “everyone else” will be “pleasantly surprised – if not a little taken aback at just how many tricks he’s pinched from other artists”. She ends the review by opining that “taking inspiration from the best seems to have paid dividends, but it doesn’t half make you wonder what the real Harry Styles sounds like”.[66] Jamieson Cox of Pitchfork wrote that the record “pays fine tribute to classic rock’n’roll and shows off his exceptional voice, if not his enigmatic persona”, opining that his “vocal performances are invariably the best parts of these songs” while particuraly praising the album’s last track, “From the Dining Table”, writing that “it’s intoxicating, and it ends Harry Styles on the most promising possible note”.[67]

Year-end lists

Year-end lists for Harry Styles

Publication

List

Rank

Ref.

Billboard

50 Best Albums of 2017: Critics’ Picks

10

[68]

Complex

The Best Albums of 2017

33

[69]

Esquire UK

The 50 Best Albums of 2017

[70]

Fuse

The 20 Best Albums of 2017

13

[71]

Mashable

The 10 Best Albums of 2017

9

[72]

Rolling Stone

50 Best Albums of 2017

17

[73]

Rolling Stone

20 Best Pop Albums of 2017

5

[74]

Time

The Top 10 Albums of 2017

6

[75]

TRL

Top 20 Albums of the Year

20

[76]

V

The 10 Best Albums of 2017

[77]

Variety

The Best Albums of 2017

[78]

The Village Voice

Pazz & Jop Music Critics Poll

52

[79]

Melty

Best Pop Albums of the Year

9

[80]

Commercial performance
The album debuted atop the UK Albums Chart with first-week sales of 57,000 units, with Styles becoming the second One Direction member to achieve a number one solo album, following Zayn’s Mind of Mine in April 2016.[81] It debuted at number one on the US Billboard 200 with 230,000 album-equivalent units, of which 193,000 were pure album sales.[82] It is the highest first sales week for a British male artist’s debut full-length album since Nielsen SoundScan began in 1991.[82] Selling 67,000 units in its second week, it fell down to number three.[83]
The album was ranked number 22 on the list of the top 40 biggest albums of 2017 on the UK Album Chart.[84] It was the fourth best selling album by a British artist worldwide in 2017.[85] According to IFPI, it was the ninth best selling album of 2017, with 1 million copies shipped globally.[86] The album was Sony Music’s biggest global seller in the second quarter of 2017.[87] It was the sixth best selling album of 2017 in Mexico.[88]
“Sign of the Times” reached number one on the UK Singles Chart.[89] In the US, the song debuted at number four on the Billboard Hot 100[90] The second single, “Two Ghosts”, peaked at number 58 on the UK Singles Chart and number 34 on the US Mainstream Top 40 charts.[91][92]

Track listing
.mw-parser-output .tracklistborder-spacing:0.mw-parser-output .tracklist trbackground-color:#fff.mw-parser-output .tracklist tr:nth-child(2n-1)background-color:#f7f7f7.mw-parser-output .tracklist captiontext-align:left;font-weight:bold.mw-parser-output .tracklist td,.mw-parser-output .tracklist th[scope=”row”]vertical-align:top.mw-parser-output .tracklist th[scope=”col”]text-align:left;background-color:#eee.mw-parser-output .tracklist th.tracklist-length-header,.mw-parser-output .tracklist th.tracklist-number-header,.mw-parser-output .tracklist th[scope=”row”],.mw-parser-output .tracklist-length,.mw-parser-output .tracklist-total-length tdpadding-right:10px;text-align:right.mw-parser-output .tracklist th[scope=”row”]font-weight:normal.mw-parser-output .tracklist-number-headerwidth:2em;padding-left:10px.mw-parser-output .tracklist-length-headerwidth:4em.mw-parser-output .tracklist tr.tracklist-total-lengthbackground-color:transparent.mw-parser-output .tracklist .tracklist-total-length thpadding:0;font-weight:bold.mw-parser-output .tracklist-total-length th>spanfloat:right;padding:0 10px;background-color:#eee.mw-parser-output .tracklist-total-length tdbackground-color:#eee;font-weight:bold;padding:0 10px 0 0Harry Styles[93]No.TitleWriter(s)Length1.”Meet Me in the Hallway”Harry StylesTyler JohnsonMitch RowlandJeff BhaskerAlex SalibianRyan Nasci3:472.”Sign of the Times”StylesJohnsonRowlandBhaskerSalibianNasci5:403.”Carolina”StylesJohnsonRowlandBhaskerSalibianNasciThomas Hull3:094.”Two Ghosts”StylesJohnsonRowlandJohn RyanJulian Bunetta3:495.”Sweet Creature”StylesHull3:446.”Only Angel”StylesJohnsonRowlandBhaskerSalibianNasci4:517.”Kiwi”StylesJohnsonRowlandBhaskerSalibianNasci2:568.”Ever Since New York”StylesJohnsonRowlandBhaskerSalibianNasci4:139.”Woman”StylesJohnsonRowlandBhaskerSalibianNasci4:3810.”From the Dining Table”StylesJohnsonRowlandBhaskerSalibianNasci3:31Total length:40:18
Notes
“Only Angel” contains a sample of dialogue from the film Barfly.[93]
Personnel
Credits adapted from the liner notes of Harry Styles.[93]

Performers and musicians
.mw-parser-output .div-colmargin-top:0.3em;column-width:30em.mw-parser-output .div-col-smallfont-size:90%.mw-parser-output .div-col-rulescolumn-rule:1px solid #aaa.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ulmargin-top:0.mw-parser-output .div-col li,.mw-parser-output .div-col ddpage-break-inside:avoid;break-inside:avoid-column
Harry Styles – vocals, background vocals, claps (track 6), guitar (track 4), omnichord (track 1, 4)
Steve Aho – orchestrator / conductor / musician contractor (tracks 3, 6, 10)
Erik Arvinder – violin (tracks 3, 6, 10)
Jeffrey Azoff – background vocals (track 6), claps (track 6)
Kala Balch – alto vocals (tracks 2, 6)
Laurhan Beato – alto vocals (tracks 2, 6)
Jeff Bhasker – background vocals (track 6), claps (track 6), keys (tracks 2, 6, 8), lap steel (track 2), moog (track 9), piano (tracks 1, 2, 5)
Edie Lehmann Boddicker – gospel choirmaster (tracks 2, 6), alto (tracks 2, 6)
Johnny Britt – tenor vocals (tracks 2, 6)
Reid Bruton – bass-baritone vocals (tracks 2, 6)
Caroline Buckman – viola (tracks 3, 6, 10)
Charlean Carmon – soprano vocals (tracks 2, 6)
Carmen Carter – soprano vocals (tracks 2, 6)
Alvin Chea – bass-baritone vocals (tracks 2, 6)
Monique Donnelly – soprano vocals (tracks 2, 6)
Allie Feder – soprano vocals (tracks 2, 6)
Vanessa Freebairn-Smith – cello (tracks 3, 6, 10)
Jim Gilstrap – bass-baritone vocals (tracks 2, 6)
Ira Glansbeek – cello (tracks 3, 6, 10)
Taylor Graves – tenor vocals (tracks 2, 6)
Kid Harpoon – background vocals (tracks 3, 5), bass (track 5), claps (track 3), guitar (track 5)
Clydene Jackson – alto vocals (tracks 2, 6)
Tyler Johnson – background vocals (tracks 6 and 7), claps (track 6), keys (track 4), piano (track 3)
Keri Larson – soprano vocals (tracks 2, 6)
Songa Lee – violin (tracks 3, 6 and 10)
David Loucks – tenor vocals (tracks 2, 6)
Jamie McCrary – tenor vocals (tracks 2, 6)
Ryan Nasci – bass (tracks 1–4, 6–9), lap steel (track 3)
Diane Reynolds – soprano vocals (tracks 2, 6)
Mitch Rowland – acoustic guitar (track 10), background vocals (tracks 3, 6 and 7), claps (track 6), cowbell (track 6), electric guitar (track 3), guitar (tracks 1, 2, 4, 6–9), drums (tracks 1–4, 6–9)
Alex Salibian – acoustic guitar (track 3), background vocals (tracks 6 and 7), claps (tracks 3, 6), keys (tracks 3, 8 and 9), piano (tracks 3, 8 and 9)
Aretha Scruggs – alto vocals (tracks 2, 6)
Fletcher Sheridan – tenor vocals (tracks 2, 6)
Katie Sloan – violin (tracks 3, 6 and 10)
Carmen Twillie – tenor vocals (tracks 2, 6)
Ina Veli – violin (tracks 3, 6 and 10)
Julia Waters – soprano vocals (tracks 2, 6)
Oren Waters – tenor vocals (tracks 2, 6)
Will Wheaton – bass-baritone vocals (tracks 2, 6)
Michael Whitson – viola (tracks 3, 6 and 10)
Baraka Williams – alto vocals (tracks 2, 6)
Eyvonne Williams – alto vocals (tracks 2, 6)

Production

Jeff Bhasker – executive production, production (tracks 1–4, 6–10), additional production (track 5)
Matt Dyson – assistant engineering
Chris Gehringer – mastering
Kid Harpoon – production (tracks 3, 5), engineering (track 5)
Tyler Johnson – production (tracks 1, 3, 4, 6–10), co-production (track 2), additional production (track 5), programming (track 3)
Ryan Nasci – engineering, mixing (tracks 1, 4, 10)
Alex Salibian – production (tracks 1, 3, 4, 6–10), co-production (track 2), additional production (track 5)
Mark “Spike” Stent – mixing (tracks 2, 3, 5–9)

Design

Calvin Aurand – specialty packaging photography
Jacob Hassett – graphic design
Molly Hawkins – creative director
Harley Weir – photography

Charts

Weekly charts

Weekly chart performance for Harry Styles

Chart (2017–2021)

Peakposition

Argentine Albums (CAPIF)[94]

1[95]

Australian Albums (ARIA)[96]

1

Austrian Albums (Ö3 Austria)[97]

2

Belgian Albums (Ultratop Flanders)[98]

1

Belgian Albums (Ultratop Wallonia)[99]

3

Canadian Albums (Billboard)[100]

1

Croatian International Albums (HDU)[101]

4

Czech Albums (ČNS IFPI)[102]

1

Danish Albums (Hitlisten)[103]

4

Dutch Albums (Album Top 100)[104]

1

Finnish Albums (Suomen virallinen lista)[105]

3

French Albums (SNEP)[106]

2

German Albums (Offizielle Top 100)[107]

5

Greek Albums (IFPI Greece)[108]

1

Hungarian Albums (MAHASZ)[109]

6

Irish Albums (IRMA)[110]

1

Italian Albums (FIMI)[111]

2

Japanese Albums (Oricon)[112]

16

Mexican Albums (AMPROFON)[113]

1

New Zealand Albums (RMNZ)[114]

2

Norwegian Albums (VG-lista)[115]

2

Polish Albums (ZPAV)[116]

1

Portuguese Albums (AFP)[117]

1

Scottish Albums (OCC)[118]

1

Slovak Albums (ČNS IFPI)[119]

1

South Korean Albums (Circle)[120]

33

South Korean International Albums (Circle)[121]

1

Spanish Albums (PROMUSICAE)[122]

1

Swedish Albums (Sverigetopplistan)[123]

3

Swiss Albums (Romandie)[124]

1

Swiss Albums (Schweizer Hitparade)[125]

3

UK Albums (OCC)[126]

1

US Billboard 200[127]

1

US Top Tastemaker Albums (Billboard)[128]

3

Monthly charts

Monthly chart performance for Harry Styles

Chart (2017)

Peakposition

Argentine Monthly Albums (CAPIF)[129]

4

Year-end charts

2017 year-end chart performance for Harry Styles

Chart (2017)

Position

Australian Albums (ARIA)[130]

11

Austrian Albums (Ö3 Austria)[131]

54

Belgian Albums (Ultratop Flanders)[132]

38

Belgian Albums (Ultratop Wallonia)[133]

106

Canadian Albums (Billboard)[134]

30

Danish Albums (Hitlisten)[135]

65

Dutch Albums (MegaCharts)[136]

37

French Albums (SNEP)[137]

144

Hungarian Albums (MAHASZ)[138]

61

Icelandic Albums (Tonlist)[139]

38

Italian Albums (FIMI)[140]

35

Mexican Albums (AMPROFON)[141]

6

New Zealand Albums (RMNZ)[142]

19

Norwegian Albums (IFPI Norge)[143]

42

Polish Albums (ZPAV)[144]

61

Spanish Albums (PROMUSICAE)[145]

34

Swedish Albums (Sverigetopplistan)[146]

46

Swiss Albums (Schweizer Hitparade)[147]

79

UK Albums (OCC)[84]

22

US Billboard 200[148]

39

Worldwide[86]

9

2018 year-end chart performance for Harry Styles

Chart (2018)

Position

Belgian Albums (Ultratop Flanders)[149]

90

Icelandic Albums (Tonlist)[150]

72

Mexican Albums (AMPROFON)[151]

93

Swedish Albums (Sverigetopplistan)[152]

94

2020 year-end chart performance for Harry Styles

Chart (2020)

Position

Australian Albums (ARIA)[153]

54

Belgian Albums (Ultratop Flanders)[154]

50

Dutch Albums (Album Top 100)[155]

77

Hungarian Albums (MAHASZ)[156]

100

Icelandic Albums (Tonlist)[157]

46

Irish Albums (IRMA)[158]

48

Swedish Albums (Sverigetopplistan)[159]

69

UK Albums (OCC)[160]

89

2021 year-end chart performance for Harry Styles

Chart (2021)

Position

Australian Albums (ARIA)[161]

47

Austrian Albums (Ö3 Austria)[162]

64

Belgian Albums (Ultratop Flanders)[163]

47

Dutch Albums (Album Top 100)[164]

44

Hungarian Albums (MAHASZ)[165]

94

Italian Albums (FIMI)[166]

73

Swedish Albums (Sverigetopplistan)[167]

77

US Billboard 200[168]

137

Certifications

Region

Certification
Certified units/sales

Australia (ARIA)[169]

Platinum

70,000^

Austria (IFPI Austria)[170]

Gold

7,500

Belgium (BEA)[171]

Gold

15,000

Brazil (Pro-Música Brasil)[172]

Platinum

40,000

Canada (Music Canada)[173]

Platinum

80,000

Denmark (IFPI Danmark)[174]

Platinum

20,000

France (SNEP)[175]

Gold

50,000

Germany (BVMI)[176]

Gold

100,000

Italy (FIMI)[177]

2× Platinum

100,000

Mexico (AMPROFON)[178]

3× Platinum

180,000

Netherlands (NVPI)[179]

Gold

20,000

New Zealand (RMNZ)[180]

Gold

7,500

Norway (IFPI Norway)[181]

Gold

10,000*

Poland (ZPAV)[182]

2× Platinum

40,000

Portugal (AFP)[183]

Gold

7,500^

Singapore (RIAS)[184]

Gold

5,000*

Sweden (GLF)[185]

Gold

15,000

Switzerland (IFPI Switzerland)[186]

Gold

10,000

United Kingdom (BPI)[187]

Platinum

300,000

United States (RIAA)[188]

Platinum

1,000,000

Summaries

Worldwide (2017)

1,000,000[86]

* Sales figures based on certification alone.^ Shipments figures based on certification alone. Sales+streaming figures based on certification alone.

See also
List of Billboard 200 number-one albums of 2017
List of number-one albums of 2017 (Australia)
List of number-one albums of 2017 (Belgium)
List of number-one albums of 2017 (Ireland)
List of number-one albums of 2017 (Poland)
List of number-one albums of 2017 (Spain)
List of UK Albums Chart number ones of the 2010s
Notes
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^ While some sources refer to “Sweet Creature” as the second single,[14][15][16][17][18] Columbia Records noted that “Sign of the Times” was the current single when “Sweet Creature” was released,[19] and an insider report indicates that “Two Ghosts” is Harry Style’s second single.[20]

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^ “New Zealand album certifications – Harry Styles – Harry Styles”. Recorded Music NZ. Retrieved 29 September 2017.

^ “Norwegian album certifications – Harry Styles – Harry Styles” (in Norwegian). IFPI Norway. Retrieved 7 March 2018.

^ “Wyróżnienia – Platynowe płyty CD – Archiwum – Przyznane w 2021 roku” (in Polish). Polish Society of the Phonographic Industry. Retrieved 10 February 2021.

^ “Portuguese album certifications – Harry Styles – Harry Styles” (PDF) (in Portuguese). Associação Fonográfica Portuguesa. Retrieved 27 January 2022.

^ “Singapore album certifications”. Recording Industry Association Singapore. Retrieved 24 November 2021.

^ “Årslista Album, 2018” (in Swedish). Sverigetopplistan. Retrieved 2 July 2020.

^ “The Official Swiss Charts and Music Community: Awards (Harry Styles; ‘Harry Styles’)”. IFPI Switzerland. Hung Medien. Retrieved 18 December 2018.

^ “British album certifications – Harry Styles – Harry Styles”. British Phonographic Industry. Retrieved 23 October 2020.

^ “American album certifications – Harry Styles – Harry Styles”. Recording Industry Association of America. Retrieved 11 June 2019.

.mw-parser-output .navboxbox-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0.mw-parser-output .navbox .navboxmargin-top:0.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navboxmargin-top:-1px.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroupwidth:100%.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output .navbox-abovebelowpadding:0.25em 1em;line-height:1.5em;text-align:center.mw-parser-output .navbox-groupwhite-space:nowrap;text-align:right.mw-parser-output .navbox,.mw-parser-output .navbox-subgroupbackground-color:#fdfdfd.mw-parser-output .navbox-listline-height:1.5em;border-color:#fdfdfd.mw-parser-output .navbox-list-with-grouptext-align:left;border-left-width:2px;border-left-style:solid.mw-parser-output tr+tr>.navbox-abovebelow,.mw-parser-output tr+tr>.navbox-group,.mw-parser-output tr+tr>.navbox-image,.mw-parser-output tr+tr>.navbox-listborder-top:2px solid #fdfdfd.mw-parser-output .navbox-titlebackground-color:#ccf.mw-parser-output .navbox-abovebelow,.mw-parser-output .navbox-group,.mw-parser-output .navbox-subgroup .navbox-titlebackground-color:#ddf.mw-parser-output .navbox-subgroup .navbox-group,.mw-parser-output .navbox-subgroup .navbox-abovebelowbackground-color:#e6e6ff.mw-parser-output .navbox-evenbackground-color:#f7f7f7.mw-parser-output .navbox-oddbackground-color:transparent.mw-parser-output .navbox .hlist td dl,.mw-parser-output .navbox .hlist td ol,.mw-parser-output .navbox .hlist td ul,.mw-parser-output .navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ulpadding:0.125em 0.mw-parser-output .navbox .navbardisplay:block;font-size:100%.mw-parser-output .navbox-title .navbarfloat:left;text-align:left;margin-right:0.5em.mw-parser-output .navbardisplay:inline;font-size:88%;font-weight:normal.mw-parser-output .navbar-collapsefloat:left;text-align:left.mw-parser-output .navbar-boxtextword-spacing:0.mw-parser-output .navbar uldisplay:inline-block;white-space:nowrap;line-height:inherit.mw-parser-output .navbar-brackets::beforemargin-right:-0.125em;content:”[ “.mw-parser-output .navbar-brackets::aftermargin-left:-0.125em;content:” ]”.mw-parser-output .navbar liword-spacing:-0.125em.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbrtext-decoration:inherit.mw-parser-output .navbar-mini abbrfont-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit.mw-parser-output .navbar-ct-fullfont-size:114%;margin:0 7em.mw-parser-output .navbar-ct-minifont-size:114%;margin:0 4emvteHarry Styles
Discography
Awards and nominations
Songs written
Studio albums
Harry Styles
Fine Line
Harry’s House
Singles
“Sign of the Times”
“Two Ghosts”
“Kiwi”
“Lights Up”
“Adore You”
“Falling”
“Watermelon Sugar”
“Golden”
“Treat People with Kindness”
“As It Was”
“Late Night Talking”
“Music for a Sushi Restaurant”
Promotional singles
“Sweet Creature”
Other songs
“Medicine”
“Matilda”
Concert tours
Harry Styles: Live on Tour
Love On Tour
Fashion
Blue Gucci dress of Harry Styles
Related people
Mitch Rowland
Sarah Jones
Kid Harpoon
Tyler Johnson
Alessandro Michele
Pauli Lovejoy
Harry Lambert
Related articles
One Direction

Authority control
MusicBrainz release group

Retrieved from “https://en.wikipedia.org/w/index.php?title=Harry_Styles_(album)&oldid=1114896402”
Categories: 2017 debut albumsBritpop albumsColumbia Records albumsHarry Styles albumsAlbums produced by Jeff BhaskerHidden categories: CS1 French-language sources (fr)CS1 maint: others in cite AV media (notes)CS1 Spanish-language sources (es)CS1 Slovak-language sources (sk)CS1 Dutch-language sources (nl)CS1 Italian-language sources (it)CS1 Norwegian-language sources (no)CS1 Polish-language sources (pl)CS1 Swedish-language sources (sv)CS1 Hungarian-language sources (hu)CS1 German-language sources (de)CS1 Portuguese-language sources (pt)Articles with short descriptionShort description matches WikidataWikipedia indefinitely semi-protected pagesUse British English from November 2018Use dmy dates from October 2022Articles with hAudio microformatsAlbum chart usages for ArgentinaAlbum chart usages for AustraliaAlbum chart usages for AustriaAlbum chart usages for FlandersAlbum chart usages for WalloniaAlbum chart usages for BillboardCanadaAlbum chart usages for CroatiaAlbum chart usages for CzechAlbum chart usages for DenmarkAlbum chart usages for NetherlandsAlbum chart usages for FinlandAlbum chart usages for FranceAlbum chart usages for Germany4Album chart usages for HungaryAlbum chart usages for Ireland2Album chart usages for ItalyAlbum chart usages for OriconAlbum chart usages for New ZealandAlbum chart usages for NorwayAlbum chart usages for PolandAlbum chart usages for PortugalAlbum chart usages for ScotlandAlbum chart usages for KoreaAlbum chart usages for KoreaIntAlbum chart usages for SpainAlbum chart usages for SwedenAlbum chart usages for SwitzerlandAlbum chart usages for UK2Album chart usages for Billboard200Album chart usages for BillboardTastemakerCertification Table Entry usages for AustraliaPages using certification Table Entry with shipments figuresCertification Table Entry usages for AustriaPages using certification Table Entry with streaming figuresCertification Table Entry usages for BelgiumCertification Table Entry usages for BrazilCertification Table Entry usages for CanadaCertification Table Entry usages for DenmarkCertification Table Entry usages for FranceCertification Table Entry usages for GermanyCertification Table Entry usages for ItalyCertification Table Entry usages for MexicoCertification Table Entry usages for NetherlandsCertification Table Entry usages for New ZealandCertification Table Entry usages for NorwayPages using certification Table Entry with sales figuresCertification Table Entry usages for PolandCertification Table Entry usages for PortugalCertification Table Entry usages for SingaporeCertification Table Entry usages for SwedenCertification Table Entry usages for SwitzerlandCertification Table Entry usages for United KingdomCertification Table Entry usages for United StatesCertification Table Entry usages for unsupported regionPages using certification Table Entry without certificationPages using certification Table Entry with sales footnotePages using certification Table Entry with shipments footnotePages using certification Table Entry with streaming footnoteArticles with MusicBrainz release group identifiers
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